My practice is embodied in an eclectic set of works characterized by a wide variety of gestures, ranging from spontaneity to impulsiveness, from care to ritual. I often imagine my creations as a scenic and immersive whole where sculptures, performances, texts and installations integrate modest and raw materials, traditional know-how or forgotten micro-stories.

My main source of inspiration is the rural and mystical imagery of my native region, Abruzzo, in particular the heritage transmitted by the women of my family, but I am generally inspired by any type of supernatural experience linked to the perception occult and invisible forces. I see the recovery of local particularities not as a sign of withdrawal but as the possibility of creating a multiple and stratified perception of things, in space as in time, in which the works singularly become portals towards inaccessible and distant worlds.

The apotropaic and mnemonic dimensions go hand in hand, like imagines agentes*, favoring narration, the deployment of the imagination, the reactivation of childhood memories without any sense of proportion. In this invented folklore, where hybridizations and accumulation mix traditions and collective beliefs, the energy of geniuses, invisible spirits and bizarre creatures manifests itself. Stimulating an anthropological perspective, my creations reveal an animist, almost magical vision, like contemporary objects of worship freed from any religious dogmatism. They thus generate a syncretism in which the fantastic and the diabolical, the body and the spirit, vernacular art and the fine arts come together in my personal mythology.

​*Rhetorical and mnemonic technique consisting of mentally constructing images that strike the imagination to remember facts or complex concepts.

She works between Castelli (Teramo, IT) and Marseille. A graduate of the Villa Arson in Nice in 2019, she was selected the same year for École Offshore, a postgraduate program in Shanghai.
Her work has been exhibited at venues such as the Kleine Humboldt Galerie in Berlin, Sonnenstube in Lugano (CH), the “100% L’EXPO” at La Villette in Paris, as well as at the festivals Traffic in San Lorenzo in Campo (PU) and Straperetana in Pereto (AQ), organized by Monitor gallery.

She enjoys exhibiting in heterogeneous contexts: in 2017, she initiated the urban renovation project CalceViva. In 2021, she opened two solo shows: Pandæmonium in Castelli (TE) and Le Jardin des Allégories at Villa Arson. Following her participation in the Thankyouforcoming residency in 2021 at the Kaunas Artists’ House in Lithuania, she exhibited the following year as part of Kaunas – European Capital of Culture 2022. Also in 2022, she took part in the Miramar residency in Procida, with the support of BJCEM, Dos Mares, and Procida – Italian Capital of Culture.

In 2023, she participated in several group exhibitions: Retrofuturo at MACRO in Rome, Telling Stories at Transpalette art center in Bourges, Full Sentimental at MEMENTO in Auch, and the sixth edition of De(s)rives, curated by Aline Vidal in Paris. Recipient of a research grant from ADAGP for a project on villages linked to witchcraft in Italy, she took part in the exhibitions Praticare l’altrove at MACTE – Museum of Contemporary Art in Termoli – and Simposio, the final presentation of the In-Ruins 2023 residency at the Elpis Foundation.

In 2024, she also participated in the fifth edition of Una Boccata d’Arte in San Sebastiano Curone, Piedmont, and was selected among the young artists for the Fondazione Michetti Prize in Francavilla, Italy.The research carried out during her residency in Iceland — supported by the Institut Français de Reykjavik, SIM Residency and Dos Mares — inspired works presented in two 2025 exhibitions: La Mort, Le Mat, Le Monde at Le 6B in Saint-Denis, and Oiseaux de nuit at La Condition Publique in Roubaix.